Tidal Piano G3
Tidal Piano G3
Evolution³ - the all new TIDAL Piano G3.
TIDAL masterpieces development and evolution means to experience even more emotions, even higher quality and even more breathtaking details - without having anything missed from the predecessor.
There is not a single part on it not made even better and there were not a single detail not reconsidered to be the best solution for it - to make the new Piano G3 the best and most complete TIDAL entry speaker ever made. The entry into the world of TIDAL.
The all new TIDAL Piano G3 - Absolute Entry. Improving classic designs, does not mean changing it. Rather, it means improving details while strictly continuing and following the unique concepts of the original. After building the TIDAL Piano for over two decades, the third generation of our worldwide praised Piano models - the Piano G3 remains a classic.
Continuing TIDAL loudspeaker par excellence, the Piano G3 has all the core elements of our philosophy, and embodies even more than what TIDAL stands for: ultimate masterpieces with the highest complexity hidden behind the most sophisticated simplicity.
The Piano has always been a very special loudspeaker for TIDAL. A major part of the company and its history include this model, and paved the way for what came later. Many things have been written about the predecessor Piano G2 - and yet the 2022 all new Piano G3 model moves the limits of this concept even further.
The TIDAL Piano G3 is built like nothing else and was never about size or dimensions. It masters the trick of being an ‘entry’ masterpiece into our collection, and yet is an 'ultimate choice' at the same time. An incomparable classic.
TIDAL Piano (G3 - third generation model)
multi chamber cabinet made out of TIDAL's proprietary cabinet material TIRADUR
constraint-layer-damping dual-front for even less vibrations/resonances
1 x exclusive 30 mm (1,2") diamond tweeter Gen2 TBD-30, mechanically decoupled from the cabinet
2 x exclusive 170 mm (7") black ceramic BCC mid-woofer Gen2 MW-FG-170 woofers
passive crossover network with ultra low tolerance components, exclusive use of costume tailored pure copper-capacitors, metalfilm-resistors, silver-carbon resistors, air-core-inductors, ultra low resistance bass-inductor
passive uno-pulse crossover microphonically and hermetically isolated in separated chamber
total weight of the passive crossover construction itself: 13 Kg / 28 lbs.
excellent low level listening reproduction
low-mass silver binding posts for perfect contact
TIDAL Varioterminal for three different setup: pure 2-way (for very small rooms), linear 2.5-way (for medium sized rooms), gained 2.5-way (for bigger rooms or more bass in medium sized rooms)
Gen-2 TIDAL stainless steel isolators
8 x trigger bars out of massive stainless steel, high gloss polished
cabinet finish: original TIDAL piano lacquer in midnight black.
cabinet finish: finest hand selected veneers in TIDAL's original transparent piano lacquer.
ATA-flightcase for safest transport
nominal power handling: 150 / 300 VA
nominal impedance: 4 Ohm
recommended power amplifier: > 30 watt. Very easy impedance load
speaker dimensions: 116 cm x 24,5 cm x 39,5 cm
dimensions with vario feet (from ground to top): 121 cm high / 47,6" high
speaker weight without packaging: 2 x 70 Kg / 2 x 154 lbs.
shipping weight with packaging: 2 x 106 Kg / 2 x 233 lbs.
shipping dimensions: 2 flight cases, 134 cm length x 39 cm width x 51 cm height / 53" length x 16" width x 20" height
The Absolute Sound Review by Anthony Cordesman
“This superior sound quality was also clear when I started focusing on the sound of different instruments and voices. The Piano G3s do very well in getting the full range of sound quality out of solo, choral, and grand opera music. The sound of a range of male and female voices, and the level of detail from even the best vocal recordings, was as much of a pleasure as the source material and associate components permitted.
The same was true in listening to the musical realism of different instruments other than those with the deepest bass, and even here I’d say that the level of natural detail the G3s provided with Bach organ music, and even oddities like Kodo drums, largely offset the lack of deep-bass energy you hear from larger speakers. Percussion detail was exceptional, even with cymbals from the most complex jazz performances. Woodwinds and brass were equally good, with none of the touch of dryness in the woodwinds or edge in the brass you sometimes find even in otherwise outstanding speakers.”